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“Yes, Captain,” she answered, her eyes aglow while she smoothed refractory frills. She wore a wonderful trailing robe of tissue paper, “ruffled to the guards,” Billy said. On her head was a towering cap of the same; and a light wind bellied out her wide angel sleeves like sails before a spanking breeze. Mrs. Newman and Nell waited after the show for the unique trio that had occupied the box but they were nowhere to be seen. Howard Eliot had whisked his companions off under a pretext of urgent business. “None too strong. But she’s picking up since the doctor gave her a tonic,” was the reply..
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They fired up. An ominous sizz and clatter began. Five pairs of hands shoved the smart boat into the water at May Nell’s feet. The children shouted. The dog barked and the chickens cackled. And above all the din May Nell’s sweet voice rang out, “I christen thee, O wondrous vessel, The Fair Ellen.” She improvised hastily; for no one had thought to prepare a speech for the occasion. They were a happy lot. Each held some high-sounding position, the name coined in Billy’s busy brain. His box of abused tools came forth; the much mended wheelbarrow, picks, shovels wobbly from use as well as abuse, improvised things that only an imagination as large as Billy’s could have named tools,—something for each one there. Howard led Nell through the intricacies of a square dance. “Betty dimples in an’ out, like Mar’s dough,” he remarked, joyously, “she’s shore gittin’ better.”.
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